I finally settle a score with railroad in 97, in theatre. In public. I used " 4'33 " _clip of 'Die Fabriek' from Holland (as far as I remember I found the recording at friends' phonoteque), such piece with very complicated rythm construction, noisy piece, in which trains and rail noises is procuring. Sudden starting and cutted after specified time, it was intention that silence should tingle in ears. I trusted Liudas Ramanauskas from radio to arrange the sound, however he hadn't understood what was my intention and after 'setting up' sound to 'public' derogated the performance. (raimis stasys_Raimondas S'imkevic'ius)
Text was copy-pasted from e-mail, and translated to English in cooperation with author .
P.S. The author of e-mail has no personal claims to Liudas Ramanauskas and considers him as good radio-jokey, and
disinguished person to Alytus in general.
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